" said Galen Till, head costume designer of the San Francisco Opera, during a demonstration. They can sing loudly and rehearse like they're not wearing a mask, The clothes, however, do not make the monk, and behind the somewhat wrinkled appearance of the device is indeed a sanitary mask, as reliable as it is practical. With a curious horn-like appearance, halfway between a strapped manger and a fabric beard, the lyrical mask was made from materials usually used in corsets. The result of several months of studies, tests and adjustments, a first prototype has just been presented last week to the singers of the San Francisco Opera. I realized that we needed a mask that allowed people to come together in groups, to rehearse and to be in the same room, or at the top of your lungs, while remaining protected.Ī long-term work set in motion by Sanziana Roman, professor of medicine at UCSF.Ī former soprano converted into medicine, it was out of the question for her to stand idly by in the face of the health aporia the opera world has experienced. More accustomed to handling dashing vests and careful drapes intended for the stage, the costumers of the San Francisco Opera have been working since last June to develop masks specially designed for the singers' rehearsals, to allow them to sing, normally. Read also: The battle of European operas against the Covid No matter how funny they look: for the Canadian soprano interviewed by the Californian media outlet KQED, the new special masks developed by the San Francisco Opera and the University of California at San Francisco (UCSF) are as daring as practice.īecause if putting on a mask does not pose a problem for violinists, harpists or percussionists, deciding whether or not to wear one is a question still posed by the voices of opera, caught between the inconvenient qualities of its use and the real desire for protection.
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